‘THE ANGÉNIEUX OPTIMO ANAMORPHIC 30-72 A2S IS INCREDIBLE’ – A TESTIMONIAL BY KATHRYN BRILLHART
Only I asked to the production “Get the Monster Glass!”  says Shu Hirayama – Director of Photography ON BORN IN HEAVEN
“A CHILD’S SMILE” DESERVED AN ANGÉNIEUX, A TESTIMONIAL BY JÉRÔME DOLBERT, BACK FROM CAMBODIA
Conversations with Cecile Zhang in Cannes
ED LACHMAN 6TH RECIPIENT OF THE “PIERRE ANGENIEUX EXCELLENS IN CINEMATOGRAPHY” AT THE 2018 CANNES FILM FESTIVAL
Young cinematographer Cécile Zhang to be honored during “the Pierre Angénieux ExcelLens in Cinematography” ceremony at the Cannes Film Festival
Souvenirs of “The Pierre Angénieux Excellens in Cinematography” Previous Editions
ZOOMS AND/OR PRIMES ? THE ANSWER BY KEES VAN OOSTRUM (ASC), PRESIDENT OF THE AMERICAN SOCIETY OF CINEMATOGRAPHERS
THE IRO TECHNOLOGY BY ANGÉNIEUX : AN INNOVATIVE LENS DESIGN FOR DIFFERENT LENS CONFIGURATIONS
CAMERAS & LENSES: THE NEVER ENDING IMAGE FORMAT STORY